This feels like it has been in the making for a while; at least those who have been aware of the New York indie scene have felt like it was bound to happen at some point. 3D Country was a huge hit among indieheads, but with Cameron Winter’s widely acclaimed solo album “Heavy Metal” and […]
It was almost surreal that the two companies fighting for control of Warner Bros. Discovery, one of Hollywood’s oldest and most decorated studios, were a streaming giant with an openly anti-theatrical worldview and a conservative billionaire dynasty with deep political ties, influence over newsrooms, and a growing appetite for controlling the flow of information. And
The U.S. women’s hockey team had just completed a dominant Olympic run in Milano — 7–0 overall, capped by an overtime gold medal victory over Canada. They did what champions do. They delivered under pressure. They represented their country at the highest level. And days later, the Trump administration tried to reduce them to a
It has now been over a month since many Spotify users pointed out that “Sienna Rose” is reportedly an AI-generated project, and many news outlets, including Rolling Stone, reported on the same. But despite the growing backlash, Spotify has yet to take any visible action. It’s not only a sham that this thing’s artist page
Bad Bunny has scored his second Billboard Hot 100 No. 1 — and his first as a solo artist — as “DtMF” goes from No. 10 to the top spot following his blockbuster Super Bowl LX halftime performance. The Spanish anthem, which was the biggest hit of the singer’s latest album, closed his Feb. 8
Bad Bunny’s ‘DtMF’ Beats Taylor Swift’s ‘Opalite’ to Take No. 1 on Billboard Hot 100 Read More »
The Pitt kicked off its second season with its strongest performance yet in Nielsen’s streaming charts, delivering series-best viewing figures on HBO Max. The Noah Wyle-led medical drama racked up over 939 million viewing minutes following its Jan. 8 Season 2 premiere — a 10% increase over its previous high of 852 million minutes during
The Pitt Season 2 Hits 20 Million Equivalent Viewers Per Episode Read More »
Taylor Swift’s release strategies have hardly ever been subtle or accidental, and have always prioritized charting, and the release strategy surrounding her latest music video is in a similar vein. When the Love Story singer debuted the self-directed music video for her new single “Opalite,” she made an unusual choice: the clip premiered exclusively on
Bad Bunny’s Super Bowl LX halftime show, which fans have been affectionately dubbing as the “Benito Bowl”, averaged 128.2 million viewers on Sunday, according to Nielsen. That figure for Benito’s halftime show tops the game’s overall average U.S. audience of 124.9 million, and is the second-most-watched halftime show of the 21st century, only falling short